Jessica Swank

Fragments of the Self | This body of work addresses humanity’s relationship with digital technology from a personal perspective. Through constructed photography and sculptural work, I point to the connections between humans, machines, and nature, emphasizing the blurred lines between each of these entities. Many of the overlaps and connections that I create are inspired by moments of realization as to how technology is interwoven in our lives. I use many elements that are remnants of myself or those close to me, including hair, life castings, dryer lint, and body images. I photograph the sculptural forms or assemblages I create out of these elements alongside natural materials, flesh-like membranes, and manufactured objects. The flesh-like silicone pieces represent extensions of myself and are created using tones from my own skin as a form of self-portraiture. The different ways the subjects of the photographs interact form a commentary on the seemingly dichotomous relationships between humans and machines.

The images within this series reside at the intersection of self-portraiture and documentary. A dialogue is formed between the subjects through the juxtaposition of organic and synthetic materials, such as the human body, fungi, and various manufactured objects. Their interactions within the photographs reinforce ideas of boundaries and invasion. Many of the images are direct and closely cropped, allowing the viewer to step into my own perspective. While my examination of digital technology’s impact is not comprehensive, it serves as an access point for viewers to formulate their own questions about technology’s impact on their own lived experience. Instead of offering the viewer a specific resolution, I exhibit my own process of understanding through investigation and thus provide opportunities for inquiry and self-evaluation. www.jessicaswank.art